Pentagram

Pentagram

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MotoGP
Ambessa2
Ambessa Play DIY Flashlight
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Guggenheim
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PayPal
C42
Channel 4
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Natural History Museum
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Rare Violins of New York
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Yoto
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Studio Theatre
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MIND
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168澳洲幸运5(中国)官方-最新开奖直播|澳洲五分钟开奖-记录官方

In 1954, impresario Joe Papp began a summer tradition of staging free outdoor performances of Shakespeare, inaugurating the Public Theater’s beloved Shakespeare in the Park festival. Pentagram partner Paula Scher, whose relationship with the Public spans four decades, has designed a new identity for the series for thirty consecutive summers. Each campaign is customized to the season’s theme, creating a highly visible graphic vocabulary for outdoor advertising, social media, and on-site signage.
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168澳洲幸运5(中国)官方-最新开奖直播|澳洲五分钟开奖-记录官方

In 1954, impresario Joe Papp began a summer tradition of staging free outdoor performances of Shakespeare, inaugurating the Public Theater’s beloved Shakespeare in the Park festival. Pentagram partner Paula Scher, whose relationship with the Public spans four decades, has designed a new identity for the series for thirty consecutive summers. Each campaign is customized to the season’s theme, creating a highly visible graphic vocabulary for outdoor advertising, social media, and on-site signage.

Curiosity is essential. Without it, you’ll never break new ground—you won’t discover what’s possible.

Jody Hudson-Powell

8 latest projects

澳洲幸运5开奖官网结果记录查询 澳洲五分钟开奖 澳洲选五历史开奖记录查询

Dramatic change doesn't always mean throwing everything out. In fact, a company's heritage can provide the best foundation for imagining the future. Looking deep into the past, we uncover important clues about what makes each brand special. But the goal is never timid, incremental compromise. Instead, it's a confident and energetic consolidation of an organization's fundamental - and absolutely unique - personality.

Type has Spirit

As Pentagram partner Paula Scher said, "Words have meaning. Type has spirit." Even for those who know nothing about fonts, the design of typography shapes the way we receive a message no less than an actor's performance shapes a script. Digital technology has made it possible - and even cost effective - to create a custom typeface, proprietary to an organization or even to one project. This ensures that whatever you say, you speak in a language that's all your own.
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Mastercard

Brand identity to emphasize simplicity, connectivity and seamlessness.
Fp Module

Fisher-Price

A brand identity refresh for one of the world’s leading toy companies highlights a return to a playful sense of fun.
Rolls Royce Thumbnail Module

Rolls-Royce

A new identity for the most precious brand in the world.
Chastworth New Pentagram Website Asset Example 3

Chatsworth

Brand identity for Chatsworth and the Devonshire Group.

‘Wonka’

Logo design and custom typeface for the musical fantasy film about the origins of aspiring magician, inventor and chocolatier Willy Wonka.

‘Killing Eve’

Identity, titles and type design for the British-made drama television series.

Reddit

Brand identity transformation for the “heart of the internet.”
Cohere Typehasspirit Thumbnail

Cohere

A visual identity for the world’s most ‘hyped’ technology.

Pentagram is very much like a co-op. We constantly shape the culture, the work and the spirit of the place together.

Marina Willer

8 latest projects

London Calling

Pentagram has been an essential part of the London design scene for over half a century. Its founding partners came of age in postwar Britain, and the original formation of their design studio was very much a product of the vibrant 1960s. Today, evidence of Pentagram’s influence can be found all over London - in logos, brand identities, signage systems and campaigns - a reflection of the symbiotic relationship that informs so many creative enterprises in this most inspiring of cities.

Here is New York

Pentagram opened its New York office at an auspicious moment, just as the city was emerging from its 1970s nadir and commencing a renaissance that in many ways has never ended. Working with a wide range of clients over the last five decades – corporate, cultural, civic and commercial – Pentagram has decisively shaped New York City’s visual brand and enthusiastically participated in the city’s continuous redefinition as an irresistible urban magnet.
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Kew Option

The Royal Botanical Gardens, Kew

Identity for the largest collection of living plants in the world.
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Victoria & Albert Museum

Brand identity and wayfinding for the British national museum of applied art.
Ual Module

University of the Arts London

New identity for Europe's leading arts and design university.

Natural History Museum

Moving the Museum from catalogue to catalyst.

Saturday Night Live Season 50

A new identity and opening title sequence celebrate a landmark season for the legendary sketch comedy show.
Ch1

Cooper Hewitt Smithsonian Design Museum

Identity, website, and wayfinding design for the expanded New York institution.
Nytimes Moduel

The New York Times Building

Signage and environmental graphics for the newspaper's headquarters in New York City.
Highline

The High Line

Identity, wayfinding, and promotional materials for the elevated railway turned park in Manhattan.

Good design should feel tough—difficulty means you’re fully engaged. It means you care.

Jody Hudson-Powell

8 latest projects

Retrospective: London Design Festival

London Design Festival has been an annual celebration of the power of creativity for over 20 years. Since 2008, Pentagram partner Domenic Lippa has served as the LDF’s creative director, responsible every September for the design of a new visual identity. By inventively remixing a few key elements — typography, a signature red (“the colour of London”), and LDF's simple monogram — the program unifies hundreds of events while reaffirming London’s status as a global design capital.
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Retrospective: London Design Festival

London Design Festival has been an annual celebration of the power of creativity for over 20 years. Since 2008, Pentagram partner Domenic Lippa has served as the LDF’s creative director, responsible every September for the design of a new visual identity. By inventively remixing a few key elements — typography, a signature red (“the colour of London”), and LDF's simple monogram — the program unifies hundreds of events while reaffirming London’s status as a global design capital.

Typography is the voice of design. It has the power to convey meaning and emotion in a way that words alone cannot.

Abbott Miller

8 latest projects